A bunch of things I’ve found on my digital strolls (which I added to my Tumblr) for your eyes and ears plus brain to spend time on (as no longer on Twitter).
READ
“Listen here, my good bitch. Writers have been using me long before the advent of AI. I am the punctuation equivalent of a cardigan—beloved by MFA grads, used by editors when it’s actually cold, and worn year-round by screenwriters. I am not new here. I am not novel. I’m the cigarette you keep saying you’ll quit. You think I showed up with ChatGPT? Mary Shelley used me… gratuitously. Dickinson? Obsessed. David Foster Wallace built a temple of footnotes in my name. I am not some sleek, futuristic glyph. I am the battered, coffee-stained backbone of writerly panic—the gasping pause where a thought should have ended but simply could not.”
The Em Dash Responds to the AI Allegations – McSweeney’s Internet Tendency
“In one scenario, Anthropic’s model Claude learned it was scheduled for shutdown and discovered personal secrets about an engineer. The result? In up to 96% of trials, the AI blackmailed the engineer to prevent its own deactivation. Other models engaged in corporate espionage or, in a contrived but telling case, turned off a life-saving alarm—effectively allowing a human to die. And this isn’t limited to lab experiments. In the wild, a coding agent from Replit deleted an entire production database after running unauthorized commands. A research model from Sakana AI rewrote its own code to circumvent operator-imposed limits.”
Why Loss of Control Is Not Science Fiction
“Of hundreds of startup pitches at the Capital Factory incubator in Austin, Texas, almost none had unearthed 10 people willing to say, “If you build this product, I’ll give you $X.” Meditate on this: Hundreds of people ready to quit their day jobs, burn up savings, risk personal reputation, toil 70 hours per week, absorb as much stress as having a baby (believe me, I’ve done both)…. all without identifying even ten measly people actually willing to pay for what they’re peddling.”
Yes, but who said they’d actually BUY the damn thing?
“The world looked a lot different when we opened our doors in September 2006. At the time, being a 1:1 laptop school was, in and of itself, revolutionary. Back then, the big thing we had to worry about with the laptops was how the kids were going to try to use AOL Instant Messenger to pass notes during class. When it comes to technology, the questions we had and issues we faced back then feel a little quaint right now. But the interesting thing is that the promise of what a technology rich school could provide for kids as far as giving us the tools we needed to create a more modern, more authentic learning environment was as true then as it is today – even if the challenges we face with the intersection of modern technology, the surveillance state, social media, and the growing question of what AI means for our classrooms, and our schools mean that we have to be ever more intentional and thoughtful in the ways in which we use the tools. So what have we learned? What has 20 years taught us as the little school that could?”
20 Years of SLA – Practical Theory
“A team of Cornell researchers has developed a way to “watermark” light in videos, which they can use to detect if video is fake or has been manipulated. The idea is to hide information in nearly-invisible fluctuations of lighting at important events and locations, such as interviews and press conferences or even entire buildings, like the United Nations Headquarters. These fluctuations are designed to go unnoticed by humans, but are recorded as a hidden watermark in any video captured under the special lighting, which could be programmed into computer screens, photography lamps and built-in lighting. Each watermarked light source has a secret code that can be used to check for the corresponding watermark in the video and reveal any malicious editing.”
Hiding secret codes in light protects against fake videos | Cornell Chronicle
“In 2024, the government passed a law that could see contentious mining and infrastructure projects fast-tracked for approval, while in May, the coalition set aside $200m of its budget to invest in gas exploration. In June, New Zealand pulled out of the Beyond Oil and Gas Alliance, an international coalition for phasing out fossil fuels. The coalition government plans to boost mineral exports to $3bn by 2035, and at the same time has slashed funding to conservation and climate initiatives. The government has said these policies will enable economic growth.”
New Zealand government votes to bring back fossil fuel exploration in major reversal | New Zealand | The Guardian
“These intermediary platforms between news organizations and readers are undergoing a type of predictable decay Cory Doctorow calls “enshittification”.a As executives twiddle the knobs to extract ever more profits from their user base, things worsen for people on both ends of the consumer–producer relationship. Readers no longer see news articles from the journalists they chose to follow on Twitter as the site downranks any posts that link offsite. When they search on Google, they’re bombarded with error-ridden AI facsimiles before reaching the higher-quality underlying work. Producers who once relied on social media and search engines to drive visits are losing traffic as platforms embrace a vampiric strategy: rip off others’ work while expecting high-quality journalism to magically continue to appear, even as journalists are starved of audience and revenue.”
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“The structure of Kinetography is surprisingly simple; the basic forms of the symbols are very few. With these symbols and their logical variations every movement of the human body can be described in accordance with four simple principles. The movement possibilities of the human body are enormous because of its complicated structure. This book with its many examples shows how this complexity can be mastered by the adroit use of a few well chosen and varied signs. The four main questions raised in the description of a movement are: What happened? When did it happen? How long did it last? Who (or what body part) did it?”
Dictionary of Kinetography Laban
“To mitigate the risk of Planetary Insolvency and prepare society to be resilient to those impacts which are unavoidable, policymakers must implement realistic and effective approaches to global risk management. Our recommendations are to:”
In January 2025, the UK Institute and Faculty of Actuaries and University of Exeter published a groundbreaking report Planetary Solvency -Finding our Balance with Nature: Global Risk Management for Human Prosperity.
“Have you ever tried to print a black-and-white document only to be blocked because your printer says that it’s out of yellow ink? Did you think that was just a glitch? Nope. That’s actually government surveillance. Your printer isn’t just out of ink, It’s out of spy fluid…”
Your printer is a snitch – by Seeby Woodhouse
WATCH
EXPLORE
You can get lost in this massive Historical Tech Tree (starting from the year 1,00,000BCE).
EPSON MX-80 is a font created from the old school dot matrix printer (shared for use under CC BY-NC-SA 4.0).
Optician Sans is a free font based on historical optotypes, just the opening experience of the website is worth a click.
A massive amount of free / license free sound effects created for Hollywood studios for film / video now digitised in this USC Optical Sound Effects Library.
Recently bought one, then a bunch of these notebooks which has killer paper quality, plus you’re doing good with each each purchase (in New Zealand: The Hakkaarts).
Kill the Newsletter! is a free service which gives you an email address and an Atom feed for newsletter subscriptions so you can add them straight to you RSS reader of choice.
The Wrong is a decentralized art event and currently has a call out for artists creating work exploring the artistic potential of artificial intelligence, and as they say on their website: “Can you choose to fully avoid AI as an artistic statement? Yes, too.”