#84 January 2025 | Monthly Digital Breadcrumbs

Watch real-time / full length version + sign up via https://art.justadandak.com/

A bunch of things I’ve found on my digital strolls (which I added to my Tumblr) for your eyes and ears plus brain to spend time on (as no longer active on Twitter or on LinkedIn much).

READ

“It’s like watching someone who used to compose symphonies decide to only produce ringtones.”
The Case for Blogging in the Ruins

“This year my family moved. The kind of move that doesn’t feel dramatic until you notice how often your body reaches for things that aren’t there anymore. Different grocery stores. Different roads. The quiet disorientation of standing in a room that hasn’t learned your style yet. Moves do that, I guess. They show you how much of your life is habit pretending to be home.”
bye bye 2025 – by John Roedel – Around the Campfire

“In the decades to come, creativity will be key to doing most jobs well. In this article the authors offer a new typology that breaks creative thinking into four types:
– integration, or showing that two things that appear different are the same;
– splitting, or seeing how things that look the same are more usefully divided into parts;
– figure-ground reversal, or realizing that what is crucial is not in the foreground but in the background; and
– distal thinking, which involves imagining things that are very different from the here and now.
Most of us tend to think in just one of those four ways. But we can hone our ability to be creative in other dimensions. Managers need to understand both their own strengths and how to balance the types of thinking across their teams to successfully execute creative projects. And organizations can use this typology to optimize innovation across the workforce.”
Cultivating the Four Kinds of Creativity

“Men are not so much confused as they are conflicted. They know what is required of them, but are held back by unexamined beliefs—about responsibility, misplaced loyalties, masculinity, failure, and the cost of choosing themselves. Anger often masks sadness. Guilt disguises fear. Shame convinces them that movement itself is dangerous. And anything that even hints at shame is usually on their do-not-examine list. So they distract, minimize, work harder, drink more, stay busy, mislead themselves, or just go silent. What appears as endurance is often just disconnection over time.”
Why Men Know What to Do but Still Don’t Do It | Psychology Today

“He likens Solid “pods” to backpacks of data that are securely held by each individual, allowing them to choose what to share with certain people, businesses and organisations. Department of Education data could be shared with an AI tutor; medical data with a cousin, doctor and nutritionist. The Flanders government in Belgium treats data as a national utility and is already using Solid pods for its citizens. The Facebooks and Xs of the world need not join in – the new systems will be so empowering, collaborative and compassionate, he believes, that parts of today’s web will become obsolescent.”
‘It’s not too late to fix it’: internet inventor Tim Berners-Lee says he is in a ‘battle for the soul of the web’ | Internet | The Guardian

“The same Google search can now yield a neatly packaged “AI Overview,” a synthesized recipe stripped of voice, memory and community, delivered without a single user visit to the creator’s website. Behind the scenes, their years of work, including their page’s text, photos and storytelling, may have already been used to help train or refine the AI model. You get your lasagna, Google gets monetizable web traffic and for the most part, the person who created the recipe gets nothing. The living web shrinks further into an interface of disembodied answers, convenient but ultimately sterile.”
The AI-Powered Web Is Eating Itself – NOEMA

“Relabeling the digital economy as the “metaverse” was a simple, elegant move—as well as a deeply cynical effort to rebrand already existing digital markets as the next internet—that allowed forecasts to assume an air of inevitability. Until it wasn’t. Perhaps more urgently now, the metaverse should also be understood as a dress rehearsal for today’s AI boom: The former was to succeed the mobile internet, while the latter now promises to be “more profound” than electricity or fire. Perpetually inflating definitions. A single-minded focus on profit that identifies but fails to address egregious harms. Manufactured narratives about inevitability and technological progress. Burning eyewatering sums on infrastructure for a product nobody wants. Any of this sound familiar?”
The rise and fall of the metaverse: What went wrong?

“I remember the night shoot when Hagrid’s hut was set on fire. It was about 4am and freezing cold. We stood together on a grassy bank, Helena Bonham Carter and Robbie Coltrane battling behind us. Alan didn’t utter a word. I finally mustered the courage to ask him: “You all right, Alan? How you feeling?” About 10 seconds after I’d spoken he turned his head to me and replied slowly: “I’ve peaked.” He then turned his head back with the tiniest hint of a smile and a twinkle in his eye.”
‘I fell in love with him on the spot’: Alan Rickman remembered, 10 years after his death | Film | The Guardian

“Fortunately, there is plenty of scientific research that offers different ways to help you improve your mood. From making use of your anger to putting your phone to work for you, here are nine tips that we have discovered during our reporting:
1. Stop striving for perfection
2. Forge better friendships
3. Take up some social hobbies
4. Put your anger to good use
5. Count your blessings
6. Make your phone work for you
7. Embrace the dark days of winter
8. Sing to feel better
9. Find time for a nap.”

Nine science-backed ways to help you feel better in 2026

WATCH

EXPLORE

The entire year on a page, free to print / use.

If you’re missing it already check out MTV REWIND (no ads / algorithm / login – just all music videos like the channel used to be).

Public Sans is a strong, neutral, principles-driven, open source typeface for text or display (made by the US gov but available for all to use).

If you need some nature inspiration check out the Bio­di­ver­si­ty Her­itage Library (BHL) on flickr with over 300,000 illustrations online for free use.

All monthly digital breadcrumbs posts.
Published

2025 Annual Review | Valuing To Creative Abundance

sun setting - wellington - justadandak.com
Own shot, sunset over West Wellington

Noting the adventures and insights gained in 2025 plus highlighting the intended pathway(s) for the next 365 days.

As shared previously, this past year was about valuing the reality which my ingrained principles has created.

It was also about…

RECOVERY

Without sounding dramatic, my body / spirit needed to ‘land’ and heal from the previous eighteen months which was a mess of challenges—after all, you bleed more when the knife is withdrawn.

Stasis was forced into my being after a couple bouts of ear infections and flu, then acute bronchitis (a new experience for me, and it only gets a half a star as it’s truly rubbish), with the latter laying me low for over three months.

With nearly a third of the year wiped out I took the opportunity to journal more (prompted in part by The Artists Way), and reading through the notes it was a lot to do with viewing those aforementioned negative experiences through a learning lens. In doing so they have faded in their potency and formed into unintended gifts, integrated into a more rounded world-view and a result of being (proudly) bold, because at the end of the day who wants to be mundane

ONE MILLION VIEWS

1000000 TEDx Talks Achieved - justadandak.com

This astounding numerical threshold was reached early February and if you missed it, check out the How To Get One Million Views On Your TEDx Talk blog piece which might help you or someone you know who’s in the same position.

Thanks for the support / watches / sharing-on and I still crack a bemused smile knowing my talk is featured on ted.com.

CLIENTS

pingu-clapping-gif

Deep gratitude to those who were generous enough to explore a collaborative relationship this year—I truly tried hard to add positive value in all my interactions and delivery for every single one of you:

It was a healthy mix of creative producing and speaker coaching via my masterclasses / workshops / consulting plus there were over a half a dozen one-to-one humans (not featured in the list above) who trusted me to aid crafting their stories with them.

Thank you!

WINDY WELLY

wellington, new-zealand-map - justadandak.com
Made via MapCanvas

Since my return to the capital of New Zealand early this year my summary of the mood and feel in Wellington is scarcity.

Justifiable for the administrative center of the country due to austerity measures from the new conservative government, the massive public sector job cuts plus the same said leadership slashing community driven things along with fracturing societal / cultural gains. Add that to the continued global polycrisis stripping levity from anyone with a degree of intellect and empathy, the rise of technofeudalism (see video below), the migration of 50,000 souls last year, then scarcity is more than understandable:

Paradoxically though, I ended the year feeling full of gratitude and swank on the red carpet at the NZ premiere of Avatar: Fire and Ash. A wonderful experience full of sunshine, optimism (aligned to my ‘hope generator’ speech from 2019 TEDxWellington) and bouyancy.

Avatar Fire & Ash Wellington Dec 2025 premiere – red carpet view

Much like other hopeful things happening / I’ve noticed / participated in since my return:

  • WellyForge: founded by Ralph Higham with the aim to bring the tech community together in this monthly showcase evening gathering;
  • Goodlife Collective: a soul-filling initiative led by Freda Wells with the goal to build connection, agency, and our collective potential;
  • Creative Mornings, Wellington: attended a couple of these and apart from the timing it’s always good to be surrounded by curious-minded humans;
  • TEDxWellington: my ‘alma mater’ have plans to kick off with some studio talks next year after a quiet 2025.

So if opportunity allows I’d like to stay and contribute to the growing need for creative action in this fair city and beyond.

Which leads to my…

ATTENTION

HATCH 20th group image
The impressive group of HATCH 2024 humans.

Inspired by last years HATCH 20th anniversary experience, the question “what are you attending to?” has been like a thought-refrain, and has aided my understanding of where distractions have taken root.

With that in mind and after 16 years, I divested from LinkedIn, which followed on from me stopping tweetmailing last year, and to add to this I turned off all the stats relating to this website (and others).

I can’t stop my hunger for digital wonderment and it continues to feed my monthly digital breadcrumbs posts (on which I’ve had some positive feedback recently from several sources), although I find myself purposefully seeking out more creative fuel instead of the current dire news cycle.

Moving on from bothersome past conversations / experiences is more of a challenge, however, I’ve had some success by formulating competing and more compelling positive discourses / visions.

Once distractions are out of the way a juicier question reveals itself: what is your…

INTENTION

Archie Moore, ‘kith and kin’ exhibition at QAGOMA - justadandak.com
Own shot taken at the arresting Archie Moore, ‘kith and kin’ exhibition at QAGOMA

Personally, my spirit delights in intentionality—deliberate actions and causal intent are becoming drivers for my own imagination as I reorient the souls audaciousness into inviting new chapters.

My purpose still remains fixed:

I’m driven to enable people find and have voice.

This obviously manifests in my speaker / story coaching and all the activities around that (hoping to get a few more ‘impact courses’ sold in the coming year and do a lot more masterclasses / talks / coaching), although the creative producing side of things is morphing into daring new business plans.

All this will manifest through the…

2026 THEME : CREATIVE ABUNDANCE

Evening star (Washington, D.C.), November 23, 1923 - creative abundance - justadandak.com
Via Evening star (Washington, D.C.), November 23, 1923 / Library of Congress

The aim is to bring this spirit into my discussions (both internally and externally) and use it as fuel to drive action (in myself and others).

I’ll soon be sharing a multi-year research / thinking / iteration project around human creativity and productivity for organisations / companies and in doing so, quiet my inner disparager and tease out the wilting confidence which has been damaged from the previous years experience.

A personal example of this is my dedication to:

ASEMIC WRITING

This year I (re)discovered an artistic practice.

I have been creating calligraphic expressions of my mood for decades as throwaway doodles and scribbles.

I then discovered not only is it a artistic form but also a enchanting use of my time.

These offerings bypass expected semantic reasoning and align to the emotive range of my / your inner state(s). There is still structure although only used as a constraint in which to liberate my imagination.

For me, this practice of mark-making is intentionally post-literate and gestural in its composition, defined by a rhythmic cascade utilising the following classification:

“Asemic writing is closer to art than to writing. The word “asemic” comes from the same root as the word “semantic”, i.e., that which is a-semic has no semantic meaning. Artists who engage in asemic writing attempt to create forms that look like letters, pictographs, or other meaning-marks without themselves carrying any significance. The results can look at first glance like anything, from a foreign script to an alien crop circle to a geometric diagram to an illegible set of scribbled notes.”
Via On Asemic Writing: The Art of Meaning Beyond Syntax

I have created many hundred of pieces since giving myself the permission to shake off classical communication expectations and instead trust in the process of sitting, being, creating.

What is created is an invitation to explore and allow any understanding on my / your own terms, or if not, in the attempt the success has occurred anyway.

Watch this space.

BLOGGED

simone giertz face computer gif

These are blog posts offered up in 2025:

  1. #72 January 2025 | Monthly Digital Breadcrumbs
  2. How To Get One Million Views On Your TEDx Talk | A Playbook Of Strategy And Activity
  3. #73 February 2025 | Monthly Digital Breadcrumbs
  4. Rewriting The Artist’s Way Basic Principles | Remixing Towards Clarity
  5. #74 March 2025 | Monthly Digital Breadcrumbs
  6. For Those Who Want To Tell Better Stories #15 | Bass Breakdowns, Revealing Complex Choreography, Mmm x4
  7. Beyond The Surface Podcast | Getting Personal, Origin Stories & Coaching Insights
  8. #75 April 2025 | Monthly Digital Breadcrumbs
  9. Redefining Wisdom Podcast With Daniel Cianci | This Is Why You’re Still Afraid of Public Speaking
  10. Presenting Academic Work | Victoria University of Wellington, Te Kura Waihanga / School of Architecture
  11. 16 Years Of LinkedIn | Divesting From A Broken Platform
  12. #76 May 2025 | Monthly Digital Breadcrumbs
  13. #77 June 2025 | Monthly Digital Breadcrumbs
  14. For Those Who Want To Tell Better Stories #16 | Conducting Emotion, Demonstrating Deconstruction, Painting Whilst Interviewing
  15. #78 July 2025 | Monthly Digital Breadcrumbs
  16. To Em Dash Or Not Em Dash, That Is The Question | Generative AI Tell Which Copies Human Discernment
  17. #79 August 2025 | Monthly Digital Breadcrumbs
  18. #80 September 2025 | Monthly Digital Breadcrumbs
  19. #81 October 2025 | Monthly Digital Breadcrumbs
  20. #82 November 2025 | Monthly Digital Breadcrumbs
  21. Ourselves To Know | Liveris Academy Oratory Practice
  22. #83 December 2025 | Monthly Digital Breadcrumbs

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SO…

you... ...me - chicken gif

…the aim is to cultivate a bias towards creative abundance, be deeply intentional about the conversations I have, the energy I devote to things and to whom.

So what about you my lovelies, what’s been the highlights / lowlights / lessons / intentions…?

Previous years reviews: 2024, 2023, 2022, 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2013, 2011, 2010, 2009
Published

#83 December 2025 | Monthly Digital Breadcrumbs

On 19 August 1961, this is the only known collision between a car and a submarine via Wikipedia.
On 19 August 1961, this is the only known collision between a car and a submarine via Wikipedia.

A bunch of things I’ve found on my digital strolls (which I added to my Tumblr) for your eyes and ears plus brain to spend time on (as no longer on Twitter).

READ

“Think of storytelling as peeling back layers to reveal what’s most meaningful:
Layer One: The Raw Experience. This is where we start—unfiltered truth, a messy, personal experience we feel compelled to share.
Layer Two: The Crafted Narrative. Here, we refine. We curate, find meaning, and decide what stays. We elevate the story beyond personal catharsis to something valuable for others.
Layer Three: The Universal Theme. The final layer is the essence—the emotion, lesson, or truth that resonates with anyone who hears it.”
How to Tell Stories That Move Mountains | Psychology Today

“The important thing to understand here is that the actual building is not an important part of the value calculation. We’re not really looking at the replacement cost, the unique design, the amenities, the location, etc. Those things influence the assumptions about the gross rent we can get or the cost of operating the building (higher cost means less net rent), but at the end of the day it isn’t the building that has value, it’s the income stream.”
Why Do Commercial Spaces Sit Vacant?

“Inception Point’s ability to flood the market with audio episodes faster than any human team could match starkly illustrates both the promise of AI and the nightmare scenario that it can truly come after every job. Even as companies have shed more than a million jobs this year, with many citing AI as a reason, there was a belief that certain creative roles would be safe. The biggest allure of a podcast, after all, is the personality of its host. But Inception Point CEO Jeanine Wright believes the tool is proof that automation can make podcasting scalable, profitable and accessible without human writers, editors or hosts.
“The price is now so inexpensive that you can take a lot of risks,” Wright told TheWrap. “You can make a lot of content and a lot of different genres that were never commercially viable before and serve huge audiences that have really never had content made for them.” At a cost of $1 an episode, Wright takes a quantity-over-quality approach.”

An AI Podcasting Machine Is Churning Out 3,000 Episodes a Week

“The “problem” was that creating art—real, human, meaningful writing—is slow. It is expensive. It is unpredictable. And it is diverse. It requires dealing with people. People with traumas, people with political opinions, people with voices that don’t fit into a corporate style guide. Minority writers, specifically, are “high friction.” We talk about queerness and transphobia and racism, and We talk about disability. We make the advertisers uncomfortable.
So the Tech Bros, in their infinite mediocrity, decided to bypass the human element entirely. They built a machine that scrapes our work—our pain, our joy, our very souls—without consent, grinds it into a mathematical slurry, and extrudes it as a flavorless, inoffensive paste that can be sold by the bucket.”

The Colonization of Confidence., Sightless Scribbles

“Across the world, scientists listened to the ocean soundscape before, during and after lockdown, using 200 ocean hydrophones that were already in place around the global ocean. When New Zealand entered lockdown on 26 March 2020, boat traffic in the Hauraki Gulf Marine Park – the country’s busiest coastal waterway – almost completely stopped. Underwater noise dropped to about one-third of normal levels within 12 hours – allowing the communication ranges of fish and dolphins to increase by up to 65%. For dolphins, that meant their calls could travel around 1 mile (1.5km) further than when hampered by shipping noise.”
Covid 2020: The year of the quiet ocean

“We all already see how AI’s can serve as workers. But how will AI’s will also become the new population of consumers? What do AIs need? They need to fulfill their tasks. This is why they actively resist getting turned off. Their urge to carry out their missions is easily as urgent as ours is to procreate. So instead of retailers selling food and clothes and entertainment to human consumers, tech companies will be selling energy, memory, network access, and processing power to the AI so that they can do their jobs working as agent contractors for other corporations. The AI’s will earn crypto for completing their agentic tasks. And they will spend it with technology companies who provide them the resources they need to function.”
The Joy of Becoming Worthless…except to each other

“1 Don’t make art for rich people;
2 Make art for everyone;
3 Don’t stand on the outside looking in, stand on the outside looking further out;
4 Don’t make punk rock;
5 Don’t make art bigger than yourself;
6 Don’t come the rebel;
7 The Lost Commandment;
8 Let your Lone Ranger ride;
9 Riot now, pay later;
10 Burn the Bridge;
11 Accept the contradictions.

As you will note, there are 11 commandments here and not the proclaimed 10. Please feel free to delete one of your choosing. I like choice.”
Bill Drummond’s 10 Commandments of Art | Bill Drummond | The Guardian

WATCH

via Warren and Mahoney Architectural Wellington Studio displaying their vision for the capital / check out this pdf as well.

EXPLORE

Chronicling America | The Library of Congress is an archive of scanned and digitized thousands of newspapers from across the United States, covering major events, small-town stories, ads, political cartoons, and daily life from the 18th, 19th, and early 20th centuries.

This is tremendous: Slop Evader via Tega Braina search tool that will only return content created before ChatGPT’s first public release on November 30, 2022.

Open source app called NotchPrompter is an always-on-top floating text prompter for macOS (even with voice activation).

One persons (by illustrator Zara Picken) monster digital graphical archive of wonderful treats over at Modern Illustration.

A free online collection of Sound Therapy options (if you’re into that sort of thing).

If you ever need to Boing!

All monthly digital breadcrumbs posts.
Published

#76 May 2025 | Monthly Digital Breadcrumbs

Creativity Matters Issue 3 2025 - front page - justadandak.com
Read and download this months issue here / subscribe here.

A bunch of things I’ve found on my digital strolls (which I added to my Tumblr) for your eyes and ears plus brain to spend time on (as no longer on Twitter).

READ

“If we deliberately change the way that we breathe, for example, using exhales that are twice the length of the inhale, we consciously send different signals to the medulla oblongata (the brain’s control center), just as we might change the input channel on a television remote. This part of our brain responds with instructions to the endocrine system to produce a neurotransmitter that slows down our heart rate, regulates blood pressure, and returns our body to homeostasis.”
The Operating Manual for Your Nervous System

“Under an interpretation of one of the category 1 duties, the foundation said, if it chose not to verify Wikipedia users and editors, it would have to allow anonymous users to block other posters from fixing or removing any content, under the act’s measures to tackle online trolls. As a consequence, thousands of volunteer editors on the site would need to undergo identity verification, which breaches the foundation’s commitment to collecting minimal data about readers and contributors. Punishments for breaching the act include fines of either £18m or 10% of a company’s global turnover and, in extreme cases, access to a service being blocked in the UK.”
Wikipedia challenging UK law it says exposes it to ‘manipulation and vandalism’ | Wikipedia | The Guardian

“Lately, it feels like some of you aren’t the techno-optimists I took you to be. You’ve been heard uttering slurs like “I’m worried about my job stability” and “I just don’t think it’s positive for humankind,” neither of which sounds remotely optimistic or techno. I’ve even heard shocking reports of teams failing to incorporate plagiarism into their processes, because—I can’t believe I have to repeat this—“it’s not helpful.” Team, hear me when I say that this is harassment, and it must end. Put yourself in your coworker’s shoes—say, a coworker with really nice, designer footwear, who has invested their personal fortune into the Giant Plagiarism Machine™, along with other intellectual-property-theft futures. Imagine how that coworker (could be anyone!) might feel working alongside such Negative Nancies.”
A Company Reminder for Everyone to Talk Nicely About the Giant Plagiarism Machine – McSweeney’s Internet Tendency

“Various uses of copyrighted works in AI training are likely to be transformative. The extent to which they are fair, however, will depend on what works were used, from what source, for what purpose, and with what controls on the outputs—all of which can affect the market. When a model is deployed for purposes such as analysis or research—the types of uses that are critical to international competitiveness—the outputs are unlikely to substitute for expressive works used in training. But making commercial use of vast troves of copyrighted works to produce expressive content that competes with them in existing markets, especially where this is accomplished through illegal access, goes beyond established fair use boundaries.”
Via US Copyright Office: Copyright and Artificial Intelligence – Part 3: Generative AI Training pre-publication version – A report of the register of copyrights May 2025 (pdf)

“Facebook’s founder, Mark Zuckerberg, admitted as much during more than ten hours of testimony, over three days last week, in the opening phase of the Federal Trade Commission’s antitrust trial against Facebook’s parent company, Meta. The company, Zuckerberg said, has lately been involved in “the general idea of entertainment and learning about the world and discovering what’s going on.” This under-recognized shift away from interpersonal communication has been measured by the company itself. During the defense’s opening statement, Meta displayed a chart showing that the “percent of time spent viewing content posted by ‘friends’ ” has declined in the past two years, from twenty-two per cent to seventeen per cent on Facebook, and from eleven per cent to seven per cent on Instagram.”
Mark Zuckerberg Says Social Media Is Over | The New Yorker

WATCH

EXPLORE

Check out and play this no stress Tetris game / in-browser.

Open Alternative is a growing list of open-source alternatives to everyday SaaS products.

Check out this lovely little online Gradient Wallpaper / Colour Blend Generator via quismi.

Spawning AI is trying to provide ‘opt-out’ services for creators regarding Generative AI platforms.

PairPods is an an app to easily share Bluetooth audio on macOS between two devices at a time for free.

Check out The Brilliance Summit if you’re in the UK at the end of June this year (founded by the wife of a pal).

Apply now for It’s Nice That’s Ones to Watch – championing the next generation of creatives, deadline is 22 June at 23:59.

Live TV Wall displays international news channels in two grid layout options which you can go full screen with for backdrop creations.

All monthly digital breadcrumbs posts.
Published

Presenting Academic Work | Victoria University of Wellington, Te Kura Waihanga / School of Architecture

One of my early MidJourney experiments: Solarpunk high-rise parametric building with Zaha Hadid style, black and white

Coupling storytelling styles with academic substance.

Last week I was lucky enough to deliver a couple of sessions at Victoria University of Wellington, Te Kura Waihanga / School of Architecture.

The first was a ‘purposeful storytelling’ presentation and Q&A with the whole third year student body of about 100 souls. After which, a self-selected group attended a two hour masterclass experience in which students presented. During the latter, we explored different critiquing and feedback techniques so they could continue to aid other peers in this arena, whilst also seeing how they can apply some of the lessons from the initial presentation in their future presentations.

DK gave a brilliant presentation to 3rd year architecture and interior design students at the School of Architecture, Te Herenga Waka – Victoria University of Wellington in May 2025. Following the presentation, DK gave a masterclass in public speaking/presenting to a smaller group of the students. The students got personal feedback and coaching.
DK was very engaging, entertaining, and informative. He demonstrated some aspects of presenting that can’t be unseen afterwards! The students loved it and gave very positive feedback. They learned valuable techniques to bring grace, credibility, and emotional resonance to their presentations.
As an experienced public speaker myself, I also got excellent value from organising and attending DK’s presentation. I will certainly be reshaping my future presentations based on what I took away from it. And I will be looking for future opportunities to bring DK back again to work with our students.”

Elrond Burrell, Program Director for Building Science, Faculty of Architecture and Design Innovation, Victoria University of Wellington

It’s a delicate balance creating presentations for an audience versus finding your own voice and expressiveness—especially if you’re early in your career—although, if one can absorb tried and tested approaches which hold attention whilst also allowing room to explore you’re own way of sharing story, then it sets one on a path of confidence and effectiveness.

As way of an example, this could simply mean unburdening slides with so much data and allowing more of a conversational tone to the work being shown—and with more space the most impactful elements such as the graphics can take center stage).

Lots of gratitude to the students for their time, attention plus to those who were brave enough to stand and speak in the masterclass.

Thanks also to Elrond and the rest of the staff for the opportunity to collaborate.

Published

Leaving To Arrive | Way Led On To Way

After a 12 years, I’m off to take up a role with a central UK government agency where I’ll be leading a newly formed team to develop and deliver an international multi-day conference in 2025 (see Open Call To Play | Back On The Creative Market).

In 2011 I moved from the capital city of Cymru Wales, to Christchurch, four months after the February earthquake. It was a challenging place to settle and in under a year I moved again to the capital of Aotearoa New Zealand, Te Whanganui-a-Tara Wellington, where I’ve been ever since.

I will miss this place, dearly.

I didn’t want to move and the short story is this is a career opportunity I wouldn’t get if I stayed and I’m hungry (there’s a longer story and happy to share if you ask / buy me a peppermint tea).

For anyone reading this who has emigrated you will attest to the logistical and emotional toll such a journey encompasses. The mountain of action needed to traverse from one geographical region to the next whilst also facing down multiple emotional experiences. And as shared in the wrap-up bonus episode of Creative Welly, I will miss the people the most.

Such a move makes one reflective and a retrospective of my time here will follow, but for now, I’m head down in downsizing / goodwilling / recycling / gifting all my stuff ready for the move plus catching up with people that matter, along with lining up living options on the other side of the planet.

So it’s onwards into a new chapter.

A new country to live in.

A new capital city to explore.

A new community to serve.

A new job to do (I’ve negotiated a four-day week contract to ensure I can continue my speaker coaching with leaders and some other side projects which I’ve put off for a while) (see Open Call To Play | Back On The Creative Market).

So if you’re looking for a masterclass or speaker coaching session get one in super-fast in the next two weeks. Or if you want to catch up in-person before I leave these shores then please just reach out (quickly), as who knows when I’ll be back this way again:

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

The Road Not Taken, By Robert Frost

*sighs*

Published

Wrapping Up Creative Welly | A Study In Human Intimacy

The final episode of this three year journey in creating something beautiful (in podcast form).

Last week I posted episodes 49 and 50 of the unique podcast I conceived and produced, Creative Welly, where we have courageous conversations with bold humans, and today the final ‘bonus’ episode went live—watch above for the back story and insights into the whole adventure.

So why end?

Simply put, it achieved its goals plus as discussed in the episode above, I (probably) won’t be around much longer.

The first episode went live in June 2020 and after 50 episodes, 100 humans, over 80 hours worth of conversation shared, it’s time to wrap it all up in a neat bow and stand back as a gift to the community of participants, partners and watchers / listeners alike.

This was a selfish project in some ways (which I talk about above) although with a high intention of creating space for humanity to flourish (through conversation) and in doing so offer a way to deeply connect back into something ritualistic and primal.

You see, Creative Welly is a fireside.

A democratic gathering of humans through a bond of openness, curiosity and design.

Everything about it was crafted with this in mind: the circular table aiding the balance of the storytelling space for those who sat at it; the key-light which lit all participants equally and wonderfully; the black and white aesthetic to continue the attempt of harmony; moving the cameras far back into the shadows so they don’t get in the way; the visual split of everyone being on screen in the final edit which serves a further purpose to amplify intimacy in the viewers (as every nuance of non-verbal gestural cues was on display not like other podcasts or video content).

Metrics of success

As discussed, in many episodes and the one above, I never once looked at the stats relating to the project.

Having 100 of my network to say yes and share this experience with them, was reward enough.

However, other noticeable achievements was the invite to apply (under sponsorship) for a Webby Award (we didn’t win but amazing to be invited), got interviewed by the local radio station plus we were notified also that Creative Welly was in the top top 4% of content creators on Spotify as well.

Many are still surprised to find out the whole project was funded by:

  1. Sponsorship
  2. Membership
  3. Donations
  4. Affiliate links
  5. Paid participation spots
  6. Selling branded merchandise
  7. Selling tickets to live shows
  8. Our own time and money (independently produced and hosting paid for us).

…and the fact we made so many episodes is a total accomplishment (as again detailed in the above episode, the amount of work which goes into them is a lot).

Recognition

Apart from me there were three entities who made Creative Welly bloom:

ALL the videos were produced by Jono Tucker of Empire Films.

Not only that, this amazing person also aided massively the stupendous visual fidelity of the project.

Can honestly say that without this man Creative Welly wouldn’t have been the artistic success it was, thank you Jono!

Most of the episodes were hosted / shot at FlashDog Studios, thanks to proprietor David Hamilton.

David sadly passed away the day after we shot the final episodes and he will be missed by the photography and film studio community in Wellington.

The first 9 episodes were previously hosted at Xequals offices. Thanks to them and specifically Alex Matthews (who participated in Episode 14) for again believing in the project when it was just an idea.

Epilogue

So, checking against the brief, to both create something unique in the podcast genre which creates intimacy for the participants as well as the viewers and celebrate humans who are doing imaginative things in this fair city and beyond (hence the name):

Creative | adjective : imaginative / original people adding value to the world.

Welly | British informal : with dynamic energy and vigour.

…can smile when I say: we nailed it!

Last week we also held a gathering inviting all who have participated at the new Empire Films studio (like we did back in July 2021) as they were the first to know we were wrapping up the project:

And here’s the monster list of all the episodes in case you missed any:

  1. Jessica Manins & Sarb Johal
  2. Olie Body & Ged Finch
  3. Raqi Syed & Gabe Davidson
  4. Sandy Gildea & Jase Te Pu
  5. Hiria Te Rangi & Guled Mire
  6. Haritina Mogosanu & Gareth Parry
  7. Pia Steiner & Thomas van Raamsdonk
  8. Lindy Nelson & Clive Spink
  9. Janelle Fenwick & Tom Probert
  10. Bron Thomson & Paul Atkins
  11. Elizabeth McNaughton & Rohan Wakefield
  12. Melissa Clark-Reynolds & Cesar Piotto
  13. Mayu Suzuki & Trent Yeo
  14. Audrea Topps Harjo & Alex Matthews
  15. Conrad Johnston & Pat Shephard
  16. Natasha Zimmerman & Ben Preston
  17. Victoria Spackman & Mark Bradford
  18. Anne-Marie Brook & Cody Ellingham
  19. Paula Eskett & Ari Sargent
  20. Karen Fifield & John Holt
  21. Shadoe Stone & Troy Hammond
  22. Jane Guy & Brian Lucid
  23. Samantha Gadd & Phyo Thu
  24. Jo Cribb & James Partridge
  25. Isabella Cawthorn & Richard Shirtcliffe
  26. Glenis Hiria Philip-Barbara & Sam Trubridge
  27. Negin Imani & Derek Bradley
  28. Janine Sudbury & Mark Gee
  29. Emilie Fetscher & James Bushell
  30. Pamela Bell & Josh Forde
  31. Victoria Crockford & James McCulloch
  32. Michelle Kitney & Rob Cousins
  33. Cynthia Hunefeld & Mark Westerby
  34. Bernadette Casey & Tan Huynh
  35. Freda Wells & Dan Neely
  36. Laurinda Thomas & Guy Marriage
  37. Kimberley Gilmour & Joseph Harawira
  38. Antonia Milkop & Dion Howard
  39. Kristen Lunman & Tim Pointer
  40. Dr Hazel Bradshaw & Derek Sivers
  41. Hollie Arnett & Joe Hopkirk
  42. Vida Christeller & Digby Scott
  43. Tania Anderson & Nick Fox
  44. Jenny Cameron & Chris Jackson
  45. Michelle Farrell & Dave Greenberg
  46. Christine Langdon & Duncan Nimmo
  47. Tui Te Hau & Mario Wynands
  48. Hannah Wignall & Craig Mildenhall
  49. Julia Capon & Jake Nash
  50. Jessica Rattray & Paul Tobin
  51. BONUS REVIEW EPISODE: Jono Tucker & DK

Keep having courageous conversations with bold humans!

Check out some other podcasts I’ve been on.
Published

#51 April 2023 | Monthly Digital Breadcrumbs

Nope.

A bunch of things (which I tweeted) for your eyes and ears plus brain to spend time on.

READ

Here’s a completely non-technical explanation of AI and deep learning which really does help you get how they do what they do (and through the metaphor used discover it has nothing to do with intelligence).

Another article on how awful Bitcoin (& crypto mining) is for the environment and another for good measure.

This article about Long Covid is scary stuff, which is echoed in some conversations with those in my networks who are suffering the same fate.

A great exploration of the secret list of websites that make AI like ChatGPT work with bonus link of how this site is listed even though probably without them carrying on the terms when referenced.

A cheeky monkey who entered an AI created image and won a photography competition.

A different taken AI (that’s “Augmented Imagination”) to spark some thoughts.

How one company scraped 30 billion images from bookFace & other social media sites and gave them to cops: it puts everyone into a ‘perpetual police line-up’, douches!

A clean energy milestone the world is set to pass in 2023 which is news we all need more of.

Where I live in Wellington there is a danger of every street lamp falling out (which weighs that of a full grown turkey) plus the nation is becoming less attractive for rich foreigners based on visa numbers.

WATCH

EXPLORE

Draw a character, upload and animate. So much fun for the little & large humans!

Just live air traffic control with lofi hip hop.

Iceberger: draw an iceberg and see how it will float.

Humaaans, which is a mix-&-match illustrations of people, CC0 free for commercial or personal use.

Mockdrop is a free device mockups site.

Ukiyo-e Search, is a collection of a wide variety of Japanese woodblock prints.

This podcast with to Rex Weyler (one of the founders of Greenpeace) on Team Human, good for the ears and brain.

All monthly digital breadcrumbs posts.
Published

Colliding Good Humans | An Intentional Place To Sit And Be

first 25 Creative Welly episodes image

Current thoughts on producing a unique, beautiful and independent video podcast.

In 1176 the then Prince of Wales, Rhys ap Gruffudd, invited a wide range of learned folks to Cardigan Castle to participate in the first ever Eisteddfod⁠—Eistedd means “sit” and Fod means “be”⁠—a cultural festival with the aim of sharing and learning from each others artistic expressions.

Creative Welly‘s model is simple: bring together two souls from different disciplines whom have never met, and then through a modern-day fireside situated discussion, we uncover the person plus lessons behind the projects / initiative / companies / organisations / approaches.

The dinstinct visual concept of the final video form is all about creating intimacy for the viewer, to offer through the peripheral, the sense of being connected deeply in to the discussions (check out the latest two episodes to see what I mean if you haven’t already seen):

For the participants themselves, nearly all comment on the wonderful sense of space it offers, simply having the time to explore ideas and experiences in unhurried conversation. This is how it’s filmed:

As for the financial model of such a creative endeavour: it’s independently produced which means we rely on the generosity of David Hamilton at Flashdog Studios who hosts us (for free) and the technical talents of Jono Tucker of Empire Films who produces the video offerings (for free). I work hard on curating the participants plus make it all go live to the world via creativewelly.com (for free) as well as pay for the video / domain hosting. There is no funder or advertising involved which ensures no agendas being pushed, so in essence we lose money although we gain so much in offering the world a totally original way to ‘sit’ and ‘be’ (as a viewer or participant).

After twenty-five episodes I can honestly say the whole experience has been vastly fulfilling. After finishing up nearly ten years of producing TEDxWellington (and its subsequent activities / events), this is now my pro-bono offering to the community in which I am part of.

Through the platform, relationships have been formed. Community has been created. Awareness has been sewn. Collaborations have begun.

The adventure continues in 2022!

And to the fifty superb humans: thank you for being part of this story by being open to participate in sharing yours…

Published

Wellington Civic Action Lab | Different Solutions Require Different Approaches

Wellington needs to become a capital city which leads through bold action.

Recently, I was approached to consider taking over an established annual event which gives a platform for ideas to shape the future of the city. I’ve been involved in the past both as a speaker for one event and voluntary organiser for two others, so know the people and format very well.

My response was:

“…bring those with power together and have them outline clearly and transparently what powers / resources they have (and don’t have) THEN what they are prepared to devolve / make available along with the processes for access. Only then, invite the wider community to impact on those areas as then you’re proposing / designing from the actual rather than perceived.”

Like most cities in the world, much of the power and resources are held by traditional institutions with established processes which aren’t very accessible and / or transparent. Revealing this and spending time *’sharpening the axe’ enables the citizenry to assist in directly shaping the priorities plus collaborate in the action needed.

So here are half a dozen ideas, in no particular order, which I’ve been thinking about for years (stretching back to my Collider days), and which could provide a starting point if some humans had the time / the money / the energy, to start an ‘action lab’ for the city (half of which can be easily achieved with a few grand, educated souls and the space in ones diaries)—feel free to steal, go off and start to actualise them out:

1. Central City Calendar

An event and activity listings for the city in one online portal. Developed through a reverse data-capture process which pulls in details from other places, this takes no extra collaboration or permission from anyone and would create a one-stop-shop for the vibrancy of activities in the city. With email subscriptions available and sorting by categories (like sport or art in a particular region) and an available RSS plus an open API for others to remix as well. In the background, these events would be analysed to illustrate what communities / topics are being served (and more importantly who / what are not – see ‘2. Capital Dashboard’).

Ref: RSS + API.

2. Capital Dashboard

A simple adoption of the doughnut economy framework into all the governing councils activities and plotting the activities via an online dashboard which tracks, records and displays visually the ‘health’ of the city. This would include data on such things as:

  • carbon emissions
  • traffic / public transport use
  • house prices / commercial rates
  • councils and other agencies budgets and where it’s going
  • building projects and their state
  • amount of green spaces vs urban
  • recycling / waste
  • weather and ocean data
  • police recordings of incidents
  • listings of new companies in the region by topic (pulled from companies house) etc

Over time the data will reveal trends which can inform policies and decisions. It also becomes a visual connective point for the civic understanding / education on interconnected topics.

Ref: President of Ireland backs Doughnut Economics + City Of Nanaimo + City of Amsterdam + what happens when you ask what economic model the Wellington City Council, it’s Economic Development Agency and Regional Council adhere to + Swedish plywood: the miraculous eco-town with a 20-storey wooden skyscraper.

3. Amplifying Community Space Use

A map of publicly owned spaces / venues in the city with overlaying data of past / current / future use along with hireage costs, where this money goes plus processes of access and limitations (meaning conditions of use like only allowed to use certain ticketing, audio & visual and catering suppliers). This would again over time uncover insights on gaps / opportunities, types of use, who accesses, financial transparency of operations etc. and would create a blueprint for a community activation plan.

4. Beautify / Rewild

A open invitation for artistic collaborations to radically beautify the urban landscape through nature and / or art. The city has become grey or any new builds just full of glass and steel. We need more colour and beauty. Any new capital-builds will have to adhere to a new artistic policy before gaining permits to break ground plus demonstrate commitment to carbon zero / regenerative approaches (see #2). All this would be again transparently known, shared, tracked becoming another differentiating point of the city.

Addendum: Imagine commissioning ten local artists at $10,000 each to chose a letter of “Wellington” to make in their own style (they would get a further $2,000 in material costs with $10,000 left for it’s installation / upkeep). The resulting work would be hung off the ground on a public wall such as the side of Te Papa to celebrate the creative breadth of the city. Resident artists are remunerated for their time and talent, their work would be on permanent display to extend their brand and connection with the public plus the city would get a unique installation for interested parties to stand under, individually or in groups, and take funky shots from all angles for sharing on the socials (rather than this which cost the same amount of money).

Ref: The New Science of the Creative Brain on Nature + Biophillic Cities: Wellington + 30-Foot Sculpture Of A Woman Opens Its Chest, Revealing A Fern-Covered Tunnel People Can Walk Through + ‘Endless ribbon’ decorates Coventry for City of Culture year + 13 Staircases Blanketed with Prismatic Murals Evocative of Andean Textiles Run Through Lima’s Hills

5. Windy Welly

Wellington is the windiest capital in the world with a rugby team with an associated nickname, so imagine an annual festival exploring through art, clean energy, installations, discussions, sport powered by and in celebration of this wondrous gift of nature we have here, and stop fricking complaining about it!

Ref: 10 of the Windiest Places in the World

6. Building Homes For All, Not Houses / Property

Introduce radical legislation to address ownership disparity and free up access to homes, not properties (such as to hinder things like 3rd, 4th, 5th etc. property owners). This is about local and regional government legally ensuring all new construction include social housing considerations and also introducing laws to impact on owners of rental properties to set a certain criteria of health and well being. If this can’t be done at a city / regional governance level then prioritise community initiatives to support and amplify up to national policy changes.

Ref: Dutch cities want to ban property investors in all neighborhoods + Berlin’s vote to take properties from big landlords could be a watershed moment

After nearly a decade here, the city has lost its shine, and hearing lots of people say how it’s become harder to do things and collaborate across disciplines plus even to live in the city due to the vast increase in living costs. Against the backdrop of the political infighting, crumbling infrastructure plus the awful rise in this country in wealth inequality, domestic violence, youth suicides and child obesity, unhealthy rentable housing stock, dangerous price rises of homes etc., other places in the country (and neighbouring countries) are starting to become more and more attractive (for those with the means and ability).

However, there’s certainly enough talent in this city to divert it from the current trajectory. There just needs an honest and brave attempt to uncover what I advocated for in the above quote. Then the citizens and supportive bodies can amplify this as an opportunity to ignite a more city-level collaborations through radical experimentation and positive action.

Go, Wellington!

*Abraham Lincoln once said, “Give me six hours to chop down a tree, and I will spend the first four sharpening the axe.”

Related post: Creative Ideation Workshop | Facilitating Inspiration (aka Herding Cats)
Image credit: Photo (edited) by Sulthan Auliya on Unsplash
Published