A deconstruction of one of the best songs on the planet (check out the Alchemy live version—you’re very welcome). Illustrated with demonstrative talent, intersecting performance and historical / lyrical context, with no jump-cut and all done in one-take. Masterful.
The Idiosyncratic Nightmare Podcast discusses and explores painting with a guest artist whilst the two interviewers paint a portrait of said guest. The five camera set up offers a unique and multi-layered evolving experience and is damn impressive. Would be wonderful to have seen the response from the guest to their portraits.
“That’s why I keep documenting corruption and abuse, the erosion of norms, and each step away from democracy. Not because I expect immediate consequences, but because documenting the truth will matter later even if it doesn’t seem to matter now. Because caring isn’t naive. Because documentation isn’t pointless. Because hope isn’t for fools.” It matters. I care.
“She’s fighting back tears again. Her tone is so sad. Why does she think it’s still so hard? “People only see the decisions you made, not the choices you had. The first part of Covid, people saw all the choices and decisions. And the second half, it just got hard. It got hard. Vaccines bring an extra layer that’s really difficult.” I apologise for taking her back to a dark time. “One of the things that still stands out in my mind – I can’t remember if it was a meme or a genuine cartoon – but it was an image of Winnie-the-Pooh and Christopher Robin,” she says. “It was at the tail end of Covid, and Christopher says, ‘How will we know if we succeeded?’ And Winnie says, ‘Because they’ll say we did too much.’ And it captured this idea that there probably isn’t a sweet spot. Maybe there were only two options in the end. Maybe it was: you’ll be attacked for doing too little or you’ll be attacked for doing too much. And I know what I would choose.”” ‘Empathy is a kind of strength’: Jacinda Ardern on kind leadership, public rage and life in Trump’s America | Jacinda Ardern | The Guardian
“The Future Generations Report is designed to support politicians and public body leaders in making life better for people and planet now and in the future. This report is based on extensive evidence, research and analysis and engagement with hundreds of representatives from organisations and communities across Wales. It includes findings and statutory advice to Public Bodies. The Future Generations Commissioner will work with Public Bodies to ensure that the recommendations in the report are implemented.” Future Generations Report 2025 – Future Generations Wales
WATCH
EXPLORE
Get your retro on and chill out to some tunes / visuals from Poolsuite ☼.
The Star Wars Galaxy detailing all the worlds plus those important trade routes mapped.
Spend some time clicking / tapping / hovering on these forms to make them fidget: Form + Fidget | Noodle.
Little Webby Press is an online tool to convert your (Markdown) manuscript into both an eBook and a Website.
If the Moon Were Only 1 Pixel, a side-scrolling accurate map of our solar system (click the icon in the bottom right hand corner also).
It’s taken me months to individually contact the majority my 3,100+ connections in my LinkedIn network via the direct messaging option.
After a personal opening paragraph saying hello and looking at what they are currently up to, I mention their work and / or how long it’s been and / or reminder of where we met plus ask of how I can support their endeavours. I then continue with the following reason for the message:
“Am reaching out to let you know I don’t know how long I’ll be actively using LinkedIn going forward, so if you’re not already please subscribe to my site / blog to ensure you get all the important updates from me: https://justadandak.com/blog/ -> there’s a box on the right hand side to pop your preferred email into or there’s the RSS feed to snag and add to your reader. It’s never more than a handful of posts a month plus you can unsubscribe at anytime, your data is never shared on ;-)”
Out of the folks contacted I’d say 10%, maybe 15% responded. A third of those shared support / understanding with the issues of the platform (whether it be direct experience of lack of utility / reach / use). Got about 100 new subscribers to my blog via email (no way of telling who snagged the RSS feed) and had three direct speaker coaching clients which was a nice unintended outcome.
I joined LinkedIn during 2009.
I had 15 years online under my belt by that time and that year marked 3 years into MediaSnackers, where we were championing the astonishing creativity and collaborative force social media offers through training courses / talks delivered across several continents and for / to an impressive group of clients.
I still truly believe in the magnificent power of connecting humans / ideas through online mediums plus the incredible ways it enables others to have voice. However, as exemplified by Facebook and Twitter, the corrosive strategy to hollow out of any kind of human-first approach and replace that with everything run by algorithms / data-sucking-bots illustrates the aim of commodifying attention to the degradation of it’s own usefulness (see ‘enshittification’)
For what its worth, LinkedIn has an opportunity to differentiate with the following:
remove the alorithmic or at least allow an opt-out version of the main feed, serving content only from 1st connections (they could even go further and introduce private groups where you can curate humans into topic areas which only you can see)
remove or label or have an opt-out to any AI text / image in someones feed (although being owned by Microsoft can imagine it’s a sales funnel play for Co-pilot LLM plus all of the content on the platform has already been sucked up into the database)
allow a block feature on certain words or phrases to again cut through the trend-aligned posts and content
Until then and for the time being, I’ll log in every now and again to see if anyone has left me a message or tagged me in something of interest. For the reasons shared above, LinkedIn has now been relegated to an amazingly useful modern-day-Rolodex for when I travel and need to find folks in a particular place (within my network) until such time they remove that feature also.
The first was a ‘purposeful storytelling’ presentation and Q&A with the whole third year student body of about 100 souls. After which, a self-selected group attended a two hour masterclass experience in which students presented. During the latter, we explored different critiquing and feedback techniques so they could continue to aid other peers in this arena, whilst also seeing how they can apply some of the lessons from the initial presentation in their future presentations.
DK gave a brilliant presentation to 3rd year architecture and interior design students at the School of Architecture, Te Herenga Waka – Victoria University of Wellington in May 2025. Following the presentation, DK gave a masterclass in public speaking/presenting to a smaller group of the students. The students got personal feedback and coaching. DK was very engaging, entertaining, and informative. He demonstrated some aspects of presenting that can’t be unseen afterwards! The students loved it and gave very positive feedback. They learned valuable techniques to bring grace, credibility, and emotional resonance to their presentations. As an experienced public speaker myself, I also got excellent value from organising and attending DK’s presentation. I will certainly be reshaping my future presentations based on what I took away from it. And I will be looking for future opportunities to bring DK back again to work with our students.”
Elrond Burrell, Program Director for Building Science, Faculty of Architecture and Design Innovation, Victoria University of Wellington
It’s a delicate balance creating presentations for an audience versus finding your own voice and expressiveness—especially if you’re early in your career—although, if one can absorb tried and tested approaches which hold attention whilst also allowing room to explore you’re own way of sharing story, then it sets one on a path of confidence and effectiveness.
As way of an example, this could simply mean unburdening slides with so much data and allowing more of a conversational tone to the work being shown—and with more space the most impactful elements such as the graphics can take center stage).
Lots of gratitude to the students for their time, attention plus to those who were brave enough to stand and speak in the masterclass.
Thanks also to Elrond and the rest of the staff for the opportunity to collaborate.
How to be impressive at public speaking by exploring the intersecting disciplines of storytelling and oratory (they are two different things).
What a wonderful experience to participate in this podcast and have such a curious human steer the conversation with superb questions, provocations and personal insights—Daniel described the episode in the following way via this LinkedIn post:
“You’re not weak. You’re not broken. You’re just wired to survive, and standing in front of people feels like a threat to that. But what if you could rewire that fear into confidence? What if your voice became your superpower, not your source of anxiety?”
A brilliant summary and invitation to watch.
Here are the show notes if you want to jump to certain topics:
0:00 The Power of Storytelling and Public Speaking
2:20 Storytelling vs. Public Speaking: Which Is More Impactful?
6:46 How to Capture and Hold Audience Attention
12:50 Avoiding Overwhelming Audiences with Data
15:12 Designing a Presentation From the Audience Perspective
17:50 Breaking Self-Imposed Limitations in Public Speaking
20:55 The Lizard Brain: Why We Fear Public Speaking
24:10 Reframing Fear as Excitement
26:26 Adapting to Different Speaking Styles
29:04 Shifting Focus from Validation to Giving Value
33:08 Grace, Credibility, and Resonance: The 3 Pillars of Great Presentations
41:28 Mastering Grace in Virtual Presentations
43:40 Tools for Engaging Online Audiences
48:20 Humanizing Data for Impactful Storytelling
50:01 Navigating Speech Creation: Scripts vs. Bullet Points
Thank you again Daniel for the opportunity to share my voice, to be part of your offering to the world and to simply spend time with you (looking forward to part two)—pure honour!
Along with my personal / professional history, am sharing here direct lived-experience strategies of how I work with others when it comes to their own oratory practice—making the case for not using scripts and how to manage nerves as well as analysing the impact of the success of my recent TEDx talk with a nice little social media rant at the end.
Thank you again Noa (and Ash from the tech side) for the opportunity to participate and for what you’re doing by creating this platform / space for others to share their stories along with your wonderful curiosity which drives the conversation in all the episodes.
A few chosen narrative examples, to uncover forms, inspire the soul and stir the creative spirits.
Loving the conversational manner of this video deconstructing and showing / applying / exploring the bass playing of Steve Harris from Iron Maiden (one of my favourite bands from youth). The two camera set-up and post production narrative editing to creates a distinct format flow which keeps your attention (even if you’re not a bass player or into the music).
Revealed through a static view of a fixed cam, here’s a visual feast showing all the camera operators and angles, dancers and tech people, backdrops and lighting, in-sync and aligned to create this one-shot music video by Jungle. This literal and layered choreography makes my brain tingle in all the right ways as a producer!
A nostalgic look behind one of the most popular songs of 1993, watch and learn from the song writer and uncover both the stories behind a song and also the wonderful insight in how the place-holder of the “mmm’s” becomes the hook to the whole tune.
Distilling the core tenets to align more to my own personal values.
Been exploring Julia Cameron’s “The Artist’s Way” twelve week course for the past few weeks and took the time to turn my attention to the ‘basic principles’ as one of my ‘morning pages’ activities:
“CREATIVITY IS NATURAL AND GIVES ENERGY TO LIFE. UNLEASH AND EMBODY AND CELEBRATE YOUR OWN CREATION TO GIFT BACK TO THE WORLD YOUR NATURAL AND CREATIVE SELF. MOVE IN THE DIRECTION OF ABUNDANCE AND POSITIVENESS. IT IS SAFE TO OPEN YOURSELF UP TO GREATER AND GREATER CREATIVITY.”
“As an editorial cartoonist, my job is to hold powerful people and institutions accountable. For the first time, my editor prevented me from doing that critical job. So I have decided to leave the Post. I doubt my decision will cause much of a stir and that it will be dismissed because I’m just a cartoonist. But I will not stop holding truth to power through my cartooning, because as they say, “Democracy dies in darkness”—image and quote source from the artist herself
“Musk is speedrunning the enshittification curve, and yet Twitter isn’t collapsing. Why not? Because Musk is insulated from consequences for fucking up – he’s got a huge cushion of wealth, he’s got advertisers who are desperate to reach his users, he’s got users who can’t afford to leave the service, he’s got IP law that he can use to block interoperators who might make it easier to migrate to a better service. He was always a greedy, sadistic asshole. Now he’s an unconstrained greedy, sadistic asshole. Musk 2025 isn’t a worse person than Musk 2020. He’s just more free to act on his evil impulses than he was in years gone by.” Pluralistic: Enshittification isn’t caused by venture capital (20 Jan 2025) – Pluralistic: Daily links from Cory Doctorow
“According to Meta’s testimony, as relayed by plaintiffs’ counsel, Zuckerberg cleared the use of LibGen to train at least one of Meta’s Llama models despite concerns within Meta’s AI exec team and others at the company. The filing quotes Meta employees as referring to LibGen as a “data set we know to be pirated,” and flagging that its use “may undermine [Meta’s] negotiating position with regulators.” The filing also cites a memo to Meta AI decision-makers noting that after “escalation to MZ,” Meta’s AI team “[was] approved to use LibGen.” (MZ, here, is rather obvious shorthand for “Mark Zuckerberg.”)” Mark Zuckerberg gave Meta’s Llama team the OK to train on copyrighted works, filing claims | TechCrunch
“I’ve always lived my life restlessly: business travel, a new home every few years, a relentless pursuit for something more. Some have called it ambition; others say I’m driven. I just think I have a hard time sitting still – physically and mentally. There’s undoubtedly a propulsive energy that keeps me going. Is my RLS the kinetic force? Perhaps it is. And maybe not. Of course, I’ve suffered for decades. But I like the idea that my physical restlessness parallels how I navigate the rest of my life. Certainly, thinking about RLS as something more than twitchy legs is the only thing that partially calms my brain as I saunter into bed hoping, praying, that tonight I might finally lay still.” I clock up to 20,000 steps a night: my life with restless legs syndrome | Well actually | The Guardian
“During a seven-day trial in June, 2023, the 16 youth plaintiffs argued that the state’s promotion of fossil fuel infrastructure had jeopardized their physical and mental health, traditions, and recreational interests. Anthropogenic climate change has already had myriad impacts on Montana, including shorter winters with less snowfall, more frequent wildfires, and the reduced availability of wild game and ceremonial and medicinal plants. These impacts are expected to worsen as atmospheric carbon dioxide concentrations rise.” ‘We have been heard’: Montana youth score a major climate victory in court | Grist
“And given the nature of these other devices and that users won’t realize what’s taking place, there are serious implications. Identity Week warns that “organizations using Google’s advertising tech can implement fingerprinting without violating Google’s policies and complying with the requirements of data protection law… Fingerprinting is so hindering to privacy expectations because it relies on signals that are not easy to wipe. Even if data is ‘permanently’ deleted, fingerprinting biometrics could detect and recognize your identity.” Google Starts Tracking All Your Devices In 6 Weeks—Forget Chrome And Android
“The planets are not exactly lined up, so they will appear in an arc across the sky due to their orbital plane in the Solar System. During clear nights in January and February, all of the planets except Mercury will be visible – an event sometimes called a planetary parade. On 28 February, though – weather permitting – all seven planets will be visible, a great spectacle for observers on the ground.” Seven planets are lining up in the sky next month. This is what it really means – BBC Future
Installed StopTheMadness to get rid of the insipid ‘Sign-in with Google’ pop-up plus block many other stupid web things and is working great (worth the money).
Always on the hunt to learn from others and how they approach coaching storytellers in the world, and the above added some gems to my current knowledge. Jeremy Connell-Waite currently works for IBM as a Communications Designer and in the video above gives us a wonderful breakdown of Ted Sorensen’s (JFK’s speechwriter) “4 Words & 5 Lines” concept. Superb stuff.
For the majority of this video only two camera shots are used: the main one focused on the table where nearly all of the action takes place and the second a hand-held side shot for a few close-up vignettes. Added to these is the simple descriptive overlay of each of the elements and stages taking place. Only the last three minutes do the framing change to oversee the stretching of the dough and formation of the noodles. No words are spoken but a tale is told in how to make Chinese hand-pulled noodles.
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